Las óleos de todo Philips Koninck


ID Image  Painting (From A to Z)       Details 
10207  
Philips Koninck, An Extensive Landscape with a Hawking Party
 
 An Extensive Landscape with a Hawking Party   Oil on canvas, 132 x 160 cm National Gallery London
43169  
Philips Koninck, An Extensive Landscape with a Road by a River
 
 An Extensive Landscape with a Road by a River   mk170 1655 OIl on canvas 137.4x167.7cm
10209  
Philips Koninck, An Extensive Landscape with a Road by a Ruin
 
 An Extensive Landscape with a Road by a Ruin   1655Oil on canvas 137,4 x 167,3 cm National Gallery, London
10206  
Philips Koninck, Dutch Landscape Viewed from the Dunes
 
 Dutch Landscape Viewed from the Dunes   1664 Oil on canvas 122 x 165 cm Gemaldegalerie Dresden
93732  
Philips Koninck, Flat landscape
 
 Flat landscape   between 1653(1653) and 1655(1655) Medium oil on canvas Dimensions 133.3 x 165.7 cm (52.5 x 65.2 in) cjr
33720  
Philips Koninck, Village on a Hill
 
 Village on a Hill   mk86 1651 Oil on canvas,61x83cm Winterthur,Sammlung Reinhart
21785  
Philips Koninck, Village on a Hill (mk08)
 
 Village on a Hill (mk08)   1651 Oil on canvas 61x83cm Winterthur,Sammlung Reinhart
2233  
Philips Koninck, Wide River Landscape
 
 Wide River Landscape   Metropolitan Museum of Art, New York

Philips Koninck
1619-1688 Dutch Philips Koninck Gallery Little is known of his history except that he was said to be a pupil of Rembrandt, whose influence is to be seen in much of his work. He painted chiefly broad, sunny landscapes, full of space, light and atmosphere; they are seen from a high perspective, allowing a prominent view of the sky. Portraits by him, somewhat in the manner of Rembrandt, also exist (e.g. see Joost van den Vondel); there are examples of these in the galleries at Copenhagen and Oslo. Of his landscapes, the principal are View at the mouth of a river at the Hague, with a slightly larger replica in the National Gallery, London; Woodland border and countryside (with figures by Adriaen van de Velde) at Amsterdam; and landscapes in Brussels, Florence (the Uffizi), Berlin and Cologne. Koninck, a prosperous businessman, appears to have painted few pictures during the last decade of his life. Several of his works have been falsely attributed to Rembrandt and many more to his namesake and fellow townsman Salomon de Koninck (1609-1656), also a disciple of Rembrandt, whose paintings and etchings consist mainly of portraits and biblical scenes. Both of these painters are to be distinguished from David Koninck (1636?-1687), also known as Rammelaar. David Koninck was born in Antwerp and studied there under Jan Fyt. He later settled in Rome, where he is stated to have died in 1687; this, however, is doubtful. His pictures are chiefly landscapes with animals and still life.



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